Vladimir Blagojević je rođen 1980. godine u Kragujevcu. Nižu i srednju muzičku školu završio je u rodnom gradu u klasama Slobodana Stanića i Vojina Vasovića. Diplomirao je 2004. i magistrirao 2007. godine na Visokoj školi za umetnost u Bernu (Švajcarska) u klasi Teodora Ancelotija, jednog od najprestižnijih svetskih umetnika na harmonici. Pored mnogobrojnih prvih i specijalnih nagrada na domaćim takmičenjima, Vladimir Blagojević je laureat velikog broja internacionalnih takmičenja za harmoniku među kojima su najznačajnija: „Premio di Citta di Castelfidardo“ u Italiji 1995; Svetski kup u Švajcarskoj 1996; „Grand Prix“ u Francuskoj 1997; „Premio di Citta di Castelfidardo“ u Italiji 1997. i 1998; Svetski trofej u Andori 1997; Svetski Trofej u Italiji 1998. Bio je finalista takmičenja „Chain“ za sve instrumente, u Varšavi 2003. godine. Nosilac je nagrade Fondacije “All-Fellows“ iz Bazela za izuzetno solističko umetničko delovanje i razvoj savremene muzike, a 2004. postaje stipendista fondacije Friedl-Wald iz Ciriha. Pedagoška aktivnost reflektuje se kroz članstvo u žirijima na velikom broju značajnih internacionalnih takmičenja harmonike. Takođe, od 2004. godine je stalni član žirija Međunarodnog kompozitorskog takmičenja Pre Art u Cirihu.
Vladimir Blagojević radi na Filološko – umetničkom fakultetu Univerziteta u Kragujevcu od 2009. godine i ima zvanje vanrednog profesora. Njegovi studenti danas ostvaruju značajne uspehe na domaćim i međunarodnim takmičenjima. Održao je niz seminara, masterklasova i predavanja u zemlji i inostranstvu.
Poslednjih dvadeset godina Vladimir Blagojević je aktivan na koncertnom podijumu kao solista i kamerni muzičar u Nemačkoj, Švajcarskoj, Italiji, Belgiji, Holandiji, Francuskoj, Portugaliji, Argentini, Austriji, Španiji, Jermeniji, Gruziji, Srbiji, Bosni i Hercegovini, Makedoniji itd. Nastupao je u vodećim svetskim koncertnim prostorima kao što su: Berlinska filharmonija, „Vigmor hol“ u Londonu, „Konzerthaus“ u Beču, Frankfurtska Opera, Ciriška Opera, Teatar „Kolon“ u Buenos Ajresu, Dvorana kongresnog centra u Lucernu, „Koncertgebau“ u Amsterdamu, Minhenska opera itd. Sarađivao je sa mnogim poznatim instrumentalistima kao što su: Petru Luga, Rašel Koli, Tomas Demenga, Matijas Arter, Ernesto Molinari, Teodoro Anceloti, Aleksandar Gabris, Štefan Husong, Saša Mirković i sa dirigentima kao što su Stiven Ešbri, Pjer Bulez, Matijas Pintšer, Frank Olu, Karlhajnc Gruber, Sivijan Kamberling i drugi.
Posebno se izdvajaju koncerti sa orkestrima: Simfonijskim orkestrom RTV Bavarske u Minhenu i Berlinu, Simfonijskim orkestrom RTV Baden-Virtenberga u Frajburgu, Štutgartu, Briselu i Berlinu, Simfonijskim orkestrom RTV Hesena u Parizu i Frankfurtu, ansamblom „Studio 6“ na univerzitetima u Londonu, Lidsu i Oksfordu, ansamblom „pre-art“ na Bijenalu u Zagrebu. Solistički resitali su ga odveli na mnoge značajne svetske scene – od prestižnog festivala u Lucernu, do Nacionalnog teatra Kolon u Buenos Ajresu.
Vladimir Blagojević je dugi niz godina pridruženi ili stalni član nekoliko kamernih ansambala sa velikom internacionalnom reputacijom. U prvom redu je ansambl „Modern“ iz Frankfurta sa kojim kontinuirano nastupa već petnaest godina u gradovima poput Berlina, Pariza, Brisela, Milana, Frankfurta, Amsterdama, Londona. Bio je pridruženi član ansambla Pol Kle iz Berna sa kojim je nastupao u Ženevi, Buenos Ajresu, Cirihu, Bernu i Budimpešti. Od 2004. godine je stalni član ansambla „pre-art“ iz Ciriha sa kojima je zabeležio više od 40 nastupa u gradovima Švajcarske, Francuske, Nemačke, Srbije, Bosne i Hercegovine i Makedonije. Nastupaо је i sa renomiranim ansamblom za savremenu muziku „Klangforum“ iz Beča. Jedan je od koosnivača kolektiva „Studio 6“ 2012. godine, ansambla koji čine istaknuti umetnici iz cele Srbije, a čija se delatnost fokusira na izvođenje savremene umetničke muzike. Vladimir Blagojević je do sada snimio preko 30 kompozicija gostujući u različitim studijskim projektima.
Poslednjih nekoliko godina ga posebno interesuje promocija domaćeg muzičkog stvaralaštva. Kroz saradnju sa ansamblom „Studio 6“, violistom Sašom Mirkovićem, gostujući u drugim ansamblima, i kao solista, do sada je premijerno izveo preko 40 kompozicija domaćih autora, kako u zemlji tako i u inostranstvu.
Njegova delatnost se proširuje i van granica zemlje i oslikava se kroz zajednički rad sa mnogim poznatim svetskim kompozitorima kao sto su Matijas Pintšer, Pjer Bulez, Matijas Arter, Miroslav Srnka, Volfgang Rim, Ričard Beret, Fabio Nider, sa kojima je sarađivao na kreiranju novih dela za harmoniku ili za harmoniku u ansamblu. Na taj način Vladimir Blagojević se kontinuirano zalaže za razvoj ovog instrumenta, kroz promovisanje kako domaće, tako i svetske literature pisane za harmoniku, čime neposredno radi u pravcu njegovog integrisanja u svetsku orkestarsku i kamernu muziku. Tako je premijerno izveo ukupno oko osamdeset novih kompozicija kao solista i u okviru gore pomenutih kamernih sastava i orkestara.
www.vblagojevic.com
https://www.youtube.com/user/vladiblago
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Vladimir Blagojević was born in 1980 in Kragujevac, where he finished elementary and secondary music school in the classes of Slobodan Stanić and Vojin Vasović. He graduated accordion in 2004 and got his advanced master degree in 2007 at the Bern University of the Arts in the class of Teodoro Anzellotti, one of the world’s most renowned accordion artists.
Amongst plethora of first and special prizes at domestic competitions, Vladimir Blagojević was the laureate of numerous international accordion competitions, the most significant of which are:
„Premio di Citta di Castelfidardo“ in Italy, 1995; World Cup in Switzerland, 1996; „Grand Prix“ in France, 1997; „Premio di Citta di Castelfidardo“ in Italy, 1997. and 1998; World Trophy in Andora, 1997; World Trophy in Italy, 1998. He was the finalist of the “Chain” competition for all instruments in Warsaw in 2003.
For his extraordinary artistic work as a soloist and as a promoter of contemporary music he won the prize from the “All-Fellows” foundation in Basel, and in 2004 he received the scholarship from the “Friedl-Wald” foundation from Zurich.
He was a jury member of several renowned international accordion competitions and since 2004 is a permanent jury member of the “Pre-Art” international composition competition in Zurich. He gave numerous workshops and lectures at home and abroad with topics covering the accordion interpretation and the role of the performers in the contemporary composition practices. Since 2015, Vladimir Blagojević works as a professor at the Faculty of Philology and Arts of the Kragujevac University. His students are achieving significant successes at domestic and international competitions.
For the past fifteen years Vladimir Blagojević gave concerts in Germany, Switzerland, Italy, Belgium, Netherlands, France, Portugal, Argentina, Austria, Spain, Armenia, Georgia, Serbia, Bosnia and Herzegovina, Macedonia etc. both as a soloist and as a part of various chamber ensembles. He performed in some of the world’s most significant venues, such as The Berliner Philharmonie, Wigmore Hall in London, Opern- und Schauspielhaus Frankfurt, Zürich Opera House, Theatre “Colon” in Buones Aires, KKL in Luzerne, “Concertgebouw” in Amsterdam, Munich Opera House etc. He collaborated with many top-class instrumentalists like Petru Luga, Rachel Colly, Tomas Demenga, Matthias Arter, Ernesto Molinari, Teodoro Anzellotti, Aleksander Gabrys, Stefan Hussong, Borislav Čičovački, Saša Mirković and with star conductors like Stefan Asbury, Pierre Boulez, Matthias Pintscher, Frank Ollu, KH Gruber, Sylvain Camberling and others.
Special place in his artistic career hold the concerts with BR symphony orchestra in Munich and Berlin, SWR symphony orchestra in Freiburg, Stuttgart, Brussels and Berlin, HR symphony orchestra in Paris and Frankfurt, with „Studio 6“ ensemble at universities in London, Leeds and Oxford, and with “Pre-Art” ensemble at the Zagreb Music Biennale. His solo recitals took him to some of the most significant world stages – from the renowned Festival in Luzern, to the “Teatro Colón” in Buenos Aires.
Vladimir Blagojević has been for many years a joint or a permanent member of several chamber ensembles boasting a significant international reputation. His longest cooperation is probably with the ensemble “Modern” from Frankfurt, with which he has been giving concerts for over fifteen years and has performed in Berlin, Paris, Brussels, Milano, Frankfurt, Amsterdam and London. He was a joint member of the “Paul Klee” ensemble from Bern, with which he performed in Geneva, Buenos Aires, Zurich, Bern and Budapest. He has been a permanent member of the “Pre-Art” ensemble from Zurich since 2004, with which he had over 40 performances in various cities and towns in Switzerland, France, Germany, Serbia, Bosnia and Herzegovina and Macedonia. He also performed with the famous “Klangforum” ensemble from Vienna.
He is one of the co-founders of the “Studio 6” collective in 2012, the ensemble consisting of prominent Serbian artists focusing of the performances of the contemporary classical music.
As a guest of various studio projects, Vladimir Blagojević recorded over 30 compositions. For the past few years he has been deeply interested in and involved with the promoting of contemporary Serbian music. Through his cooperations with the “Studio 6” ensemble, violist Saša Mirković, as a guest of various other ensembles and as a soloist, Vladimir premiered, at home and abroad, over 30 compositions of Serbian composers.
His artistic work transcends national borders, which is depicted through his collaborations on new pieces for solo accordion or the accordion in an ensemble with many internationally established and world renowned composers like Matthias Pintscher, Pierre Boulez, Matthias Arter, Miroslav Srnka, Wolfgang Rihm, Richard Berret, Djuro Živković, Oscar Bianchi etc. As a vivid promoter of the contemporary music, both domestic and international, he premiered, solo or otherwise, over 80 new pieces. Through all of his activities as a performer, collaborator and a new music promoter, Vladimir Blagojević has been continually pushing forward the development and the wider acceptance of the accordion and its integration in the world’s artistic, chamber and orchestral scenes.